176 Pictures of the Acropolis in Athens, Greece

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The Acropolis hill, so called the "Sacred Rock" of Athens, is the most important site of the city. During Perikles' Golden Age, ancient Greek civilization was represented in an ideal way on the hill and some of the architectural masterpieces of the period were erected on its ground.
The first habitation remains on the Acropolis date from the Neolithic period. Over the centuries, the rocky hill was continuously used either as a cult place or as a residential area or both. The inscriptions on the numerous and precious offerings to the sanctuary of Athena (marble korai, bronze and clay statuettes and vases) indicate that the cult of the city's patron goddess was established as early as the Archaic period (650-480 B.C.).

During the Classical period (450-330 B.C.) three important temples were erected on the ruins of earlier ones: the Parthenon, the Erechtheion, and the Temple of Nike, dedicated to Athena Parthenos, Athena Polias, and Athena-Apteros Nike, respectively. The Propylaea, the monumental entrance to the sacred area was also constructed in the same period.
The monuments on the Acropolis reflect the successive phases of the city's history. Some of them were converted into Christian churches, houses of the Franks and later on, of the Turks. After the liberation of Athens from the Turks, the protection, restoration and conservation of the monuments was one of the first tasks of the newly-founded Greek state. This major effort is continued until today, with the large-scale restoration and supporting of the monuments, which started in the 1970's and is still in progress.
The first excavations on the hill were conducted between 1835 and 1837. More systematic work was carried out in 1885-1890 by Panagiotis Kavvadias.

The most important monuments on the Acropolis are:

The Parthenon. It is the most important and characteristic monument of the ancient Greek civilization and still remains its international symbol. It was dedicated to Athena Parthenos, the patron goddess of Athens. It was built between 447 and 438 B.C. and its sculptural decoration was completed in 432 B.C. The construction of the monument was initiated by Perikles, the supervisor of the whole work was Pheidias, the famous Athenian sculptor, while Iktinos and Kallikrates were the architects of the building. The temple is built in the Doric order and almost exclusively of Pentelic marble. It is peripteral, with eight columns on each of the narrow sides and seventeen columns on each of the long ones. The central part of the temple, called the cella, sheltered the famous chryselephantine cult statue of Athena, made by Pheidias.
The sculptural decoration of the Parthenon is a unique combination of the Doric metopes and triglyphs on the entablature, and the Ionic frieze on the walls of the cella. The metopes depict the Gigantomachy on the east side, the Amazonomachy on the west, the Centauromachy on the south, and scenes from the Trojan War on the north.
The relief frieze depicts the Procession of the Panathenaea, the most formal religious festival of ancient Athens. The scene runs along all the four sides of the building and includes the figures of gods, beasts and of some 360 humans.
The two pediments of the temple are decorated with mythological scenes: the east, above the building's main entrance, shows the birth of Athena, and the west, the fight between Athena and Poseidon for the name of the city of Athens. The Parthenon retained its religious character in the following centuries and was converted into a Byzantine church, a Latin church and a Muslim mosque.
The Turks used the Parthenon as a powder magazine when the Venetians, under Admiral Morosini, sieged the Acropolis in 1687. One of the Venetian bombs fell on the Parthenon and caused a tremendous explosion that destroyed a great part of the monument which had been preserved in a good condition until then.
The disaster was completed in the beginning of the 19th century, when the British ambassador in Constantinople, Lord Elgin, stole the greatest part of the sculptural decoration of the monument (frieze, metopes, pediments), transferred them to England and sold them to the British Museum, where they are still exhibited, being one of the most significant collections of the museum.


The Erechtheion was built in ca. 420 B.C. in the Ionic order. It has a prostasis on the east side, a monumental propylon on the north, and the famous porch of the Caryatids on the south. The main temple was divided into two sections, dedicated to the worship of the two principal gods of Attica, Athena and Poseidon-Erechtheus. A relief frieze, bearing a representation possibly of the birth of Erechtheus, decorated the exterior of the building.


The Temple of Athena Nike was constructed in ca. 420 B.C. by the architect Kallikrates. It is built in the Ionic order, and it is amphiprostyle with a row of four columns in front of each of its narrow sides. The relief frieze on the upper section of the walls depicts the conference of gods on the east side, and scenes from battles on the other three. A marble parapet decorated with the relief representation of Nikae (Victories), protected the edge of the Bastion on which the temple was erected.


The Propylaea. The monumental gateway of the Acropolis was designed by the architect Mnesikles and constructed in 437-432 B.C. It comprises a central building and two lateral wings. The colonnades along the west and east sides had a row of Doric columns while two rows of Ionic columns divided the central corridor into three parts. The walls of the north wing were decorated with painted panels or wall paintings and that is why it was called the "Pinakotheke". The ceiling of the Propylaea had coffers with painted decoration and a perforated sima around the roof.

Acropolis and Parthenon of Athens

Information on Acropolis and Parthenon of Athens

The Acropolis and The Parthenon

The rock of Acropolis and the ruins of the Parthenon rising majestically above it is one of the most important icons of western civilization, attracting millions of tourists from all corners of the globe every year. Its iconic status today remains the same as when it was built 2,000 years ago...a symbol of the emergence of democracy and civilization. Catching glimpses of these ancient ruins from the city below leaves you with both a sense of utter wonderment and also utter familiarity. One of the best views from street level is along Aeolou street where the Parthenon becomes the focal point on the horizon. Alternatively, take in its beauty from the higher vantage point of the nearby hills and pine groves of Lykavitos, Ardhittos and Filopappou hills.

THE PARTHENON
The Parthenon is the structure that dominates the rock of Acropolis. It was built during the Golden Age of Athens under the rule of Perecles. Its architect, Iktinos, used the Doric architectural style and the achieved an extraordinary and unequalled harmony. The mathematical principles of the Parthenon are still taught today as an exemplar of perfection in all architectural schools. Iktinos used curvatures to correct the optical illusions that the imperfect eyesight of the human eye sees. Not a straight line exists in the entire structure with the sophisticated system of curvatures giving a sense of life as well as beauty. It is this which makes the Parthenon one of the architectural wonders of the world. During its glory, housed inside the Parthenon was the massive statue of Athena made of gold and ivory as a dedication to the patroness and goddess of the city of Athens . This statue was considered on of the seven wonders of the world. The Parthenon is a temple dedicated to this goddess and, although her statue no longer exists her temple remains. THE ERECHTHEIONerehtheion
This building is to the north of the Parthenon and was a sanctuary built to house ancient shrines connected with the mythology of the city's origin. This temple was the last of the great works of Perecles. It is a splendid Ionic temple of white marble distinguished by the Caryatids, 6 statues of maidens who offer their services as columns to support the southern portico. What can be seen today are replicas of the originals, 5 of which are exhibited a few meters away in the Acropolis museum. The 6th maiden was looted along with the famous Parthenon marbles by Lord Elgin In the C19th and can be seen in the British Museum in London.Here was worshipped both Athena and the city's old patrons, Poseidon and Erechtheus. According to Greek mythology, Poseidon and Athena compete to become protectors and deities of the city. They challenge each other and the prize for the winner was the city of Athens. It is here, on this site, according to the myth, an olive tree sprung from the ground at the touch of Athena's spear. Whilst Poseidon summoned forth a seawater spring. Consequently, the olive tree won over the seawater spring!

THE PROPYLAIA propylea
This is the magnificent entrance hall on the west side of the Acropolis, leading to the shrines of the sacred precinct. It was built by Mnesikles on completion of the Parthenon in 437 BC. Their axes and proportions align to balance the temple of Parthenon. Originally roofed and possessing 5 gates, the Propylaea has been fairly well preserved. Towering and massive, its walls and Doric columns of white marble cause the visitor to feel very small indeed, impressing the visitor that he or she is entering a holy place.

THE TEMPLE OF ATHENA NIKE On the right as one begins to enter the Propylaea, on a terrace in the southwest corner of the Acropolis, is the small, exquisite Ionic temple of Athena Nike and overlooks the Port of Piraeus and the Saronic Gulf.

HOW TO GET THERE The main approach is the path that extends above Odhos Dioskouron, joining Theorias at the north-west corner of Plaka. An alternative route is to make your way through the ancient Agora at Adhrianou or from the south side of the slope around the footpath beside the Odeon of Herodes Atticus